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The Farmer's Message




In a quiet, 1930s Craftsman house in Pasadena, California, a young family’s journey through grief was gently, and inexplicably, interrupted by a series of events that still baffles them a decade later. It’s a story that blends profound love, the mystery of childhood, and a hint of the uncanny, all revolving around a nickname no one had spoken aloud in years.

The mother, a beloved and humorous woman, shared an incredibly close bond with her daughter. Tragically, she passed away when her grandson was just four months old, leaving a void filled with memories. As the years passed, her absence was a constant, quiet presence in the home.

The unexplainable began one ordinary bath night when the boy was three. His father was washing him when the child, looking intently over his father’s shoulder at something unseen, asked a startling question: “Why does Grandma call Mommy [Nickname]?”

The air left the room. [Nickname] was a special, private pet name the grandmother had used for her daughter since infancy. The parents never used it themselves; there was no way their son could have ever heard it. Stunned, the father asked where he had heard that name. The boy’s simple reply chilled him: “The Farmer told me.”

Who was The Farmer? “His friend,” the boy said. When the father later told his wife, she was reduced to tears—first by the piercing mention of her mother’s intimate nickname, and then by the impossibility of it all. They marveled at it, a sweet, mysterious gift, and tried to dismiss it as a strange coincidence.

But the story of The Farmer was just beginning.

The following weekend, the father, home alone with his son, heard the boy in his room engaged in a full conversation: “Yes,” “No,” “I don’t know that,” followed by childish laughter. When the father entered and asked who he was playing with, the answer was clear: “The Farmer.” And where was this friend? “He left when you came in.”

“At this point,” the father recalls, “I’m already thinking about The Exorcist.” The harmless mystery was beginning to feel unsettling. Both parents were now deeply weirded out, deciding to wait and see if it happened again.

The final chapter came a few nights later. In the dead of night, both parents clearly heard their son’s small voice speak a full, complex sentence from his bedroom: “Grandma says you and I can’t be friends anymore.”

They rushed in to find him sitting up in bed. “He’s just sitting up in bed. I ask if he’s ok and he says yea, Grandma says I can’t play with The Farmer anymore.”

And that was it. The Farmer was never mentioned again. Not once. The boy, now a teenager of 13, has no memory of any of these events.

But his parents remember. They are left with a story that feels too precise to be a child’s imagination, yet too gentle to be sinister. Was it a visiting spirit, a grandmother’s love somehow bridging a gap to share one last inside joke and then, perhaps, to protect her grandson from a friendship she deemed best ended? Or was it a remarkable, subconscious working of a young mind processing the family stories and loss around him?

They offer no theories, only the facts of their experience: a specific nickname from beyond, an imaginary friend with a message, and a closure that came not from them, but from a voice the child identified as Grandma. It remains their private marvel—a strange, sweet, and slightly spine-tingling reminder that love, and perhaps connection, can echo in ways we may never fully understand.

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